I’m a JAVANESE-Singaporean
AUTHOR
screenwriter
journalist

Hey, I’m Suffian Hakim, a Javanese-Singaporean bestselling author, screenwriter, journalist and educator. I’ve been described by the Straits Times as “one of the most whimsical, creative and unpretentious young voices in Singapore literature”.
I am the author of the Straits Times bestselling parody Harris bin Potter and The Stoned Philosopher, the critically acclaimed supernatural comedy The Minorities and the Epigram Books Fiction Prize longlisted The Keepers of Stories. I am also the writer and creator of Teater Ekamatra’s 2022 supernatural political comedy play, Make Hantus Great Again. In the realm of TV, I have written for The Noose, Random Island, Mr Kiasu 2.0 and Amaranthine.
I am currently working on my fourth novel, The Tree At The End Of The Universe, a sprawling contemplation of truth, memory, journalism and spirituality.
JOURNAL
Work with me (Coming soon)
Augmenting Creativity
Writing and creativity is at the heart of all that I do.
CREATIVE WRITING WORKSHOPS

Unlock the creative potential of your students or colleagues with craft-focussed creative writing workshops catered towards participants from 12 to 60 years old.
SPEAKING ENGAGEMENTS
Starting from my keynote at the Apple Orchard flagship store in 2018, I’ve spoken about my work as an author and a journalist to schools, corporate audiences as well as the public via public speaking engagements as well as podcasts.
UPSKILLING
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THE KEEPERS OF STORIES

In post-independence Singapore, tradition clashes with modernity in this compelling tale of the importance of defining one’s own story. When their father Sujakon comes home late one night, raving about bad people coming to take them away, siblings Zuzu and Hakeem are forced to leave everything behind and live in a tent at Changi Beach, with a secret community called Anak Bumi—the Children of the Earth. Here, they learn to live off the land and fend for themselves, and partake in a communal storytelling ritual under the stars called the Wayang Singa. But just as they’ve acclimatised to their new lives, their father disappears without a word and a strange man washes ashore warning of mortal danger from just offshore.
“The frame narrative is an age-old storytelling technique across cultures traceable to classic texts like the Panchatantra and, most popularly, A Thousand and One Nights. In The Keeper of Stories, Suffian Hakim has modernised this form to tell the familiar Singapore tragedy of displacement in the face of unrelenting development. Its stories within the novel suggest a sense of universality at play. Its appeal to the fantastical is not escapist but therapeutic. Suffian’s most serious book to date should be part of a reading list on making sense of trying times.”
—Nazry Bahrawi, senior lecturer, Singapore University of Technology and Design